Pop legend Ali Haider makes a striking return alongside Ali Zafar in the newly released remake of Zalim Nazron Se, a collaboration that blends nostalgia with a fresh, modern sound.
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Produced by Shani Haider, the track revitalises Jawaid Akhtar’s classic composition and Roshan Naginavi’s lyrics. Ali Zafar introduces a contemporary, funky arrangement, while Ali Haider’s iconic vocals retain the essence of the original, creating a seamless harmony between past and present.
The music video, filmed in Los Angeles, features vibrant retro-themed visuals, stylised performances, and cinematic framing. Designed to honour the golden era of Pakistani pop, it presents the timeless classic to global audiences with a renewed aesthetic.
Speaking about the collaboration, Ali Zafar said, “Ali Haider is an icon who shaped the soundtrack of our youth. Bringing him back with Zalim Nazron Se in a fresh, funky style was both a joy and an honour. This song celebrates our memories while beginning a new journey.”
Ali Haider also expressed his excitement, noting: “Recreating this classic with Ali Zafar was a truly special experience. The idea was his, and from the first listen, I knew we could create something beautiful. The process was inspiring, and I loved this collaboration immensely.”
The project marks Ali Haider’s return to mainstream music and reflects Ali Zafar’s effort to reconnect Pakistan’s musical heritage with younger listeners.
Fans have praised the release for its fusion of retro charm and modern pop energy. Comments on social media highlighted Haider’s enduring star power and the track’s ability to evoke memories of 90s Pakistani music.
One fan wrote, “Your appearance is so strong that the dancers weren’t even needed—I kept watching you both throughout.” Another said, “Sorry Ali Zafar, but Ali Haider is the biggest rockstar. He still has it.” Others described the video as refreshing, nostalgic, and emotionally evocative.
Zalim Nazron Se is now available on major streaming platforms and on Ali Zafar’s official YouTube channel.
